Mounting various equipment like the Sony A7 IV for stills or a larger FX6 for video, the Ultra Plates have become an essential part of my day-to-day kit. The cable management hook, in particular, proves invaluable for organizing HDMI cables.
It’s impressive how a simple piece of equipment can quickly become a staple in your everyday kit. While some gear comes and goes, these Ultra Plates consistently meet the need for flexible shooting setups.
I frequently switch between stills, video, and teaching, and having a base plate that allows smooth adaptation to different tripods and scenarios is extremely useful.
As for compatibility, there’s no issue—it’s Arca Swiss, so it fits all Arca Swiss-compatible tripods, including those from 3 Legged Thing. For stills shooting, the setup is straightforward, though I’ve occasionally mounted a monitor to aid with focus, utilizing the cold shoe mount.
When transitioning to video, I prefer mounting the light onto the camera’s hot shoe, then attaching the mic or monitor, or both, onto the longer 300mm Ultra Plate. It takes some initial adjustment, but once accustomed, the setup flows well and efficiently utilizes the available space.
Having examined all four Ultra Plates of various lengths, I’m impressed with the additional functionality they offer. In terms of performance, these sophisticated base plates streamline the workflow. They integrate so seamlessly into daily use that it’s hard to imagine a time before them.
In conclusion, these plates are a fantastic asset for photographers and videographers alike. While there are minor issues, like the 90-degree rotation limitation with video heads, these are negligible compared to the flexibility and system expansion these plates offer for your workflow and camera setup.